HELL GATE BRIDGE, FROM ASTORIA | Framed | Berenice Abbott

Berenice Abbott’s Hell Gate Bridge, from Astoria comes from her Changing New York project, which documented New York during a period of rapid urban transformation. Abbott positions the bridge as the dominant form in the frame, its steel arch sweeping across the image while the river, shoreline, and a second bridge recede beneath it.

The composition balances structural weight with open space, emphasizing the bridge’s scale, repeating trusses, and strong silhouette. Seen from Astoria, the photograph turns a piece of transportation infrastructure into a study of proportion, geometry, and place.

Each Endicott & Co. print is carefully prepared from historical source material, with the character and detail of the original preserved in the restoration. The artwork is thoughtfully proportioned and offered in standard frame sizes for straightforward display.

Materials: Solid pinewood frame with a matte black finish and shatter-resistant plexiglass. Satin-finish photo paper, 260 gsm. Finished with a protective backing, pre-installed hanging hardware, and discreet rubber bumpers to protect the wall and keep the piece level.

View unframed edition.

Sizes refer to the artwork dimensions. The finished framed piece will be slightly larger.

Frames and interiors are shown for context only. Frame style and scale may vary slightly by size.

This print is reproduced from high-resolution archival scans preserved in The New York Public Library Digital Collections.